Music
has played a large role in Mt. Pulaski
from the mid-1800's onward. The town has had a long
tradition of quality music, which initially was due in
large measure to the influx of immigrants from Europe
who brought along their music traditions ... their brass
instruments, their voices, their music appreciation.
These bands and vocal groups have performed both locally
and throughout the state. The Bloomington Pantagraph
reported that a Mount Pulaski Brass Band performed at
the Republican Rally in Atlanta's Union Hall in October,
1856, where Abraham Lincoln gave an "eloquent" address
in support of Col. Fremont for the Presidency of the
United States. Over the years, the Mount Pulaski High
School bands have brought back numerous district and
state sweepstakes trophies. The 1st lady of radio: Vaughn
DeLeath, was a Mount Pulaski Native. Born Leonore
Vonderlieth in
the town of Mount
Pulaski, Illinois in
1894, her parents were George and Catherine Vonderlieth.
At age 12, Leonore relocated to Los
Angeles with
her mother and sister, where she finished high school
and studied music. While at Mills
College, she
began writing songs, but dropped out to pursue a singing
career. She then adopted the stage
name "Vaughn
De Leath." Her vocals ranged from soprano to
deep contralto. De
Leath adapted to the emerging, less restrictive jazz vocal
style of the late 1910s and early 1920s. |
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Vaughn
de Leath (Leonore Vonderleith) Born Mount Pulaski,
Illinois, September 24, 1894. Died Buffalo, New York,
May 28, 1943 Age 48 (liver damage) The original crooner.
The Vaughn de Leath show was a sustaining program on NBC
in 1936. She was also heard on the Voice of Firestone.
Her radio work began in the 1920s.
Vaughn was
one of the first singers to use an electric microphone.
Previously, to sing with an acoustic microphone one had
to pretty much shout into it. Doing that into an
electronic mike would damage everyone's eardrums! [It
would also break the delicate radio glass tubes]. So
it's said that Vaughn "wrote the book" on how to sing
into the new mikes. [It's written that she taught Bing
Crosby how to croon]. |
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Born Leonore Vonderlieth in
the town of Mount
Pulaski, Illinois in 1894, her parents were
George and Catherine Vonderlieth. At age 12, Leonore relocated
to Los
Angeles with her mother and sister, where she
finished high school and studied music. While at Mills
College, she began writing songs, but dropped out to pursue
a singing career.
She then adopted the stage
name "Vaughn De Leath." Her vocals ranged from soprano to
deep contralto.
De Leath adapted to the emerging, less restrictive jazz vocal
style of the late 1910s and early 1920s.
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Over the years, there were many MP adult bands

Mt. Pulaski 1890's Band
Stubblebine's Band |
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II. Bands and
Choirs from Yesteryears
"Bands of Yore" [featured
in MPTHS 2011 Calendar - September]
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Logan County 4H
Club Orchestra 1926 - 1931
Loren Emery - Gene
Downing - Wilbur Roos
Marion Halstead - Darwin Downing - Ernest Beck
Gene Downing and
his band played for about 5 years between 1926 to 1931.
Gene says that their band was made up of 6 farm boys, so
they called themselves the Logan County 4H
Club Orchestra. Gene says that Wilbur Roos was the
leader, as he was the best musician - playing the piano,
trumpet and one or two other instruments. Wilbur went
on to be the band instructor at the Mt. Pulaski High School
and Grade School.
The Logan County Farm Bureau Advisor took
an interest in them and had them appear before several
Illinois State 4H Conventions in Champaign and once at the
Chicago 4H Champions Banquet. They were notable since
they were the only 4H orchestra in Illinois during these
years.
In addition, for several years, they played every Saturday
night at the Odd Fellows Hall for Square and Round Dancing.
When they played for dances here and elsewhere, they
referred to their orchestra as the Symphonious
Six. Gene says they were paid $20 for each
performance. So, he says, they pocketed $2 each and
then used the rest of the money for purchasing sheet music,
instrument supplies, gas, and food.
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Mt. Pulaski HS Rhythmaires - late
'40's, early '50's
Les Werntz & Claus Tanner continued the
tradition in the '40's thru the '90's
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